EDUCATION
Masters of Fine Arts (2015-2017)
Yale University School of Art, Sculpture department
Skowhegan School of Painting and Sculpture (2015)
Bachelor of Fine Arts (2003 – 2007)
The Cooper Union – College of Art, New York, NY
International Student – Studied sculpture and drawing. (September 2005 – December 2005)
The Gerriet Rietveld Academie, Amsterdam, The Netherlands
AWARDS
Fannie B Pardee Prize (2017)
Alvin Eisenman Scholarship Award (2016-17)
RESIDENCIES
Gardenship Artist in resident, Kearney Point, NJ, *postponed due to Covid-19*
Ox-Bow, School of Art and Artists’ Residency, artist in resident (summer 2017)
Vermont Studio Center (March 2015)
Atlantic Center For The Arts, with master artist Suzanne McClelland (February 2015)
PROFESSIONAL EXPERIENCE
Visiting Lecturer (Spring 2021)
Williams College, Art Department, Williamstown, MA
Adjunct Faculty (2021 – Present)
Trinity College, Fine Art Department, Hartford, CT
Colloquium Committee Member (Fall 2021)
NYU Gallatin School of Individualized Study
Adjunct Faculty (2019 – Present)
New York University, Steinhardt, Art Department, New York, NY
Adjunct Faculty (2018 – Present)
PRATT Institute, Brooklyn, NY
Adjunct Faculty (2018 – Present)
University of Bridgeport, Shintaro Akatsu School of Design, Bridgeport, CT
Visiting Critic (Spring 2021)
Iceland University of the Arts, Reykjavík, Iceland
Full Time Faculty, Lecturer (2019 – 2020)
Yale University School of Art, Sculpture department, New Haven CT
Shop Supervisor (2019 – 2020)
Yale University School of Art, Sculpture department, New Haven CT
Colloquium Committee Member (Spring 2020)
NYU Gallatin School of Individualized Study
Visiting Artist – Drawing (Fall 2019)
New York University, Steinhardt, Art Department, New York, NY
Visiting Assistant Faculty – Woodworking (Summer, 2019)
University of Wisconsin in Madison, Madison, WI
Shop Technician (2015 – 2019)
Yale School of Art, New Haven, CT
Shop Technician (2019)
The Cooper Union, New York, NY
Visiting Faculty – Practicum workshop in collaborative practices and metals / welding (Winter Session, 2019)
California Institute of the Arts, Santa Clarita, CA
Visiting Critic, final critiques for Junior Sculpture (Fall, 2018)
PRATT Institute, Brooklyn, NY
Visiting Critic, final critiques for Drawing 1 (Fall, 2017)
Massachusetts College of Art, Boston, MA
Moderator for New England Graduate Media Symposium, Assembling Bodies: Exchanges in Collaboration (March 2016) In participation with Emmerson College
Guest lecturer, Beginning Sculpture (Fall 2013)
University of California, Los Angeles
EXHIBITIONS
Solo exhibitions designated with [ * ]
2021
Dude, I Almost Had You, Judy at OPAF, Los Angeles, CA
Sexy Sex, Gallery Parchée
2020
SOM, Penn State Abington, Abington, PA
2019
Gardenship, Pocket Gallery, Newark, NJ
Everywoman Biennial, 222 Bowery Gallery, New York, NY
2018
Ceramics Club in Internation Space Station, MOMA PS1; New York, NY
Infinite Zest, As Of Now Gallery, Brooklyn, NY
Wall Space V111, Presented by NY(G), Brooklyn, NY
Faculty Exhibition, The Schelfhaudt Gallery at the University of Bridgeport, Bridgeport, CT
Partial Views, Hercules Project Space, New York, NY
2017
Personals, Skowhegan Gallery Chelsea, New York, NY
Yale Sculpture 2017 Thesis Exhibition, Green Hall Gallery, New Haven, CT
2016
Odds & Ends Art Book Fair, Yale University Art Gallery, New Haven, CT
Trophy Room, SAM’s Space, New Haven, CT
Esoteric Rodeo, Green Hall Gallery, New Haven, CT
New Genealogies, curated by Jenny Tang and John Edmonds, Green Hall Gallery, New Haven, CT
2015
Material Stackers, Old Room, New York, NY
MFA 2017, Yale MFA 1st Year Exhibition, Yale School of Art, New Haven, CT
2014
* HUNGER, The Kingston Gallery, Boston, MA (March 2014)
The BRUCENNIAL 2014: The Last Brucennia., 837 Washington Street, New York, NY
The LA Art Book Fair, Printed Matter, Inc., The Geffen Contemporary at MOCA, Los Angeles, CA
2013
The NY Art Book Fair, Printed Matter, Inc., MOMA PS1, Brooklyn NY
Around The Clock, For Your Art LA, Los Angeles, CA
CKTV, curated by Cleopatra’s and Chris Rice, BAM, New York, NY
What Have You Done for Me Lately?, 109 Gallery, New York, NY
2012
Hurricane Sandy Benefit, a project from 109 Gallery and REED, 7 Dunham Place, New York, NY
Editquette, curated by Opalnest for 2012 Armory Arts Week, Printed Matter, Inc. New York, NY
BRUCENNIAL 2012: Harderer. Betterer. Fasterer. Strongerer., 159 Bleecker Street, New York, NY
Ecstatic Love, curated by Helen Wu and Opalnest Productions, The Flatiron Hotel, New York, NY
* SUPER TRANSCAPE, curated by Amy Von Harrington, Heathers Project Space, NY, NY (Dec 2011 – Feb 2012)
2011
November, curated by Brian Binsack, The End, Brooklyn, NY
Bring To Light, Nuit Blanche New York 2011, The End, Brooklyn, NY
Changarrito Project, organized by Máximo González, Momenta Art, Brooklyn, NY
When Ends Meet, curated by Ava Hassinger, The End, Brooklyn, NY
The Affordable Art Fair, Spring 2011, Recent Graduate Booth curated by Samantha Vernon, New York, NY
DIALOGUES, Kingston Gallery, Boston, MA
2010
The BRUCENNIAL 2010: Miseducation, 350 West Broadway, New York, NY
* CHANGING TITLE, Heathers Project Space, New York, NY (Nov 2009 – Feb 2010)
2009
Quizotic, 1717 Troutman, Brooklyn, NY
Capricious Art Artket, Capricious Space, Brooklyn, NY
2008
In Flux, AiB Beta Spaces, Brooklyn, NYThe Guys We Would Fuck, Nayland Blake at Monya Rowe, New York, NY
WORK IN PRINT
The Skowhegan Tarot, Edition of 200
Curated and organized by Skowhegan, Jesus Benavente and Carla Edwards. January 2017
Artwork included in the 25th Anniversary issue of WYBC YALE RADIO ZINE
WYBC Yale, New Haven, CT, February 2016
Long Haired Secret Butch Pryde, Recaps Magazine: The Generation Issue. 2014
http://recapsmagazine.com/reprint/long-haired-secret-butch-pryde-by-erica-wessmann/
The Poetry project Newsletter, Oct/Nov 2010 #224 – Cover art for monthly literary newsletter.
The Poetry Project at St Mark’s Church; New York, NY. October-November 2010
The Recluse, vol. 5, Homage to George Schneeman – Cover design for annual literary journal.
The Poetry Project at St Mark’s Church; New York, NY. June 2009
Cock-Now Zine – Drawings featured in March issue.
Goodbye Better; New York, NY. March 2009
The Poetry Project’s 35th Annual New Year’s Day Poster
The Poetry Project at St Mark’s Church; New York, NY. December 2008
Zamboangueña – Cover art for book by Corrine Fitzpatrick.
Sona Books; New York, NY. December 2007
On Melody Dispatch – Cover art for book by Corrine Fitzpatrick.
Goodbye Better; New York, NY. January 2007
The Recluse, vol. 2 – Cover art for annual literary journal.
The Poetry Project at St Mark’s Church; New York, NY. June 2006
This Is Not The New Minstrel Show – poster art for monthly reading series.
Curated By Will Fabro for Galapagos Art Space, Brooklyn, NY. July 2005 – January 2006
COMMISSIONED WORK
Construction of unique table/island via Pam Lins and Ceramics Club in Internation Space Station
PS1; New York, NY. December 2018
Set Design and construction for Kelly Bartnik’s Fuck/Love: The Poetics of Adoration
Gibney Theater, New York, NY. April 2019
Design and fabrication of wedding chuppah for Jill Magid
Synagogue For the Arts; New York, NY. October 2009
Design and fabrication for display system – Status Report, BRIC Rotunda Gallery BRIC Rotunda Gallery, BRIC Contemporary Art, Brooklyn, NY. September 2009
Design and unique fabrication interior display system – for Killer Film’s new office space
Killer Films, New York, NY. August 2008
Design and fabrication for display cases – for biannual art auction benefit.
The Poetry Project at St. Marks Church, New York, NY. April 2006
BIBLIOGRAPHY
New York Times, Melena Ryzik, May 16th 2019
https://www.nytimes.com/2019/05/16/arts/design/every-woman-biennial.html
Yale Daily News, Haewon Ma, November 2nd 2016
http://yaledailynews.com/blog/2016/11/02/queering-spaces-at-yale/
Vice, Antwaun Sargent, October 27, 2016
http://thecreatorsproject.vice.com/blog/queering-space-yale-school-art
Two Coats of Paint, Sharon Butler, October 21st, 2016
http://www.twocoatsofpaint.com/2016/10/queer-yale.html
“Art x Women at the Affordable Art Fair”; Erica Varlese, May 19, 2011
on-verge.org, CUE Art Foundation in collaboration with AICA USA
http://www.on-verge.org/features/art-x-women-at-the-affordable-art-fair/
“Contrasting Approaches to Author as Transcriber in Goldsmith and Fitzpatrick”;
Jill Magi. February 2009
Galatea Resurrection #9; Eileen Tabios. March 2008
www.galatearesurrection9.blogspot.com/2008/03/zamboanguena-by-corrine-fitzpatrick.html